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RACAR –

Revue d'art canadienne / Canadian ArtReview

 

La revue est publiée par l'Association d'art desuniversités du Canada, avec l'aide du Conseil de la recherche en scienceshumaines du Canada.

 

Barbara Winters est la rédactrice administrative,mailto:bwinters@finearts.uvic.ca  L’adresse de Mlle Winters est: Department ofHistory in Art, University of Victoria, Box 1700, VictoriaB.C. V8W 2Y2.  RACAR est distribuée parl'AAUC, 122 Woodhall Place, Salt Spring Island, B.C. V8K 2W8.

 

Les articles sont répertoriés dans: ARTbibliographies,RILA, Répertoire d'art et d'archéologie, Canadian Periodical Index.

 

Click on:

RACAR Orderform.pdf  for a Printable Order Form

style_e.html for theRACAR Style Guide in English

style_f.html pour leGuide typographique de RACAR

 

RACAR is published by the Universities Art Associationof Canada with the assistance of the Social Sciences and Humanities ResearchCouncil of Canada.

 

The Managing Editor is Barbara Winters,mailto:bwinters@finearts.uvic.ca  Dept. of History in Art, University of Victoria, VictoriaB.C. V8W 2Y2. RACAR is distributed by the Universities Art Association ofCanada, 122 Woodhall Place, Salt Spring Island, B.C. V8K 2W8.

 

Articles are listed in: ARTbibliographies, RILA,Répertoire d'art et d'archéologie, Canadian Periodical Index.


 

RACAR

Revue d’artcanadienne/Canadian Art Review

Vol. XXXII 1-2 2007

 

Published in December2007

 

Sommaire/Contents

 

A “Lost” Ivory Casket in the Gort Collection at the Winnipeg Art Gallery

JAMES BUGSLAG

 

Who Was that Masked Man ?  An Alexandrian Bronze

ALAN HUGHES

 

Art and the Gregorian Reform: Saints Peter and Clementin the Church of San Marco at Venice

LESLEY JESSOP

 

Grace Pailthorpe et Reuben Mednikoff à Vancouver.  La transmission du surréalisme au Canada anglais,1942-1946

YVES M. LAROCQUE

 

Theodulf of Orléans and the Ark of the Covenant:  A New Allegorical Interpretation atGermigny-des-Près

GILLIAN MACKIE

 

Jacques Villon and the Tovell Family:  A Canadian Connection with Modernism

MICHAEL PARKE-TAYLOR

 

Body Politics and the Art of Norval Morrsseau

CARMEN ROBERTSON

 

The Wound on Christ’s Back in New Spain

ALENA ROBIN

 

Un Canadianerrant: Charles Smeaton and the earliest photographs of theRoman Catacombs

ANDREA TERRY AND JOHN OSBORNE

 

Livres/Books

 

Ihor Holubizky, Walter Klepac and Christopher Cuts, Kazuo Nakamura: The Method of Nature/LaMéthode de la nature;  Bryce Kanbara,Tashme2: Early Work of KazuoNakamura;  and Richard William Hill,  KazuoNakamura: A Human Measure

Reviewed by BRIANGRISON AND BRETT STEVENS

 

Malcolm Thurlby, RomanesqueArchitecture and Sculpture in Wales

Reviewed by STUART HARRISON

 

Jayne Wark, RadicalGestures: Feminism and Performance Art in North America

Reviewed by LAURA LEVIN

 

Laurier Lacroix, Suzor-Coté,lumièreet matière

Reviewed by DIDIERPRIOUL  

 

 

RACAR

Revue d’artcanadienne/Canadian Art Review

Vol. XXXI 1-2 2006

 

Papers fromthe 31st International Congress of the Comité internationald’histoire de l’art (CIHA) August 23 – 27 2004 Montréal / Communicationsprésentées au XXXI ième Congrès international du Comité internationald’histoire de l’art (CIHA) à Montréal, du 23 – 27 août 2004

 

Published in April 2007

 

 

Sommaire/Contents

 

Editors’ Introduction/Mot des rédacteurs

 

Béton et utopie avant 1914: architecture et<<moule social>>                               

LAURENT BARIDON

 

Law or Independence– What Does the Frame Stand For ?

VERA BEYER

 

Archéologie de l’oeuvre Net art: une esthétique dufragment

JEAN-PAUL FOURMENTRAUX

 

From Flatness to Space and Back Again: Concepts ofRepresentation in the Work of Gerhard Richter and Sigmar Polke

JULIE GELSHORN

 

The Virtual Memorial: Temporality, Interactivity andthe Internet

ANNIE GÉRIN

 

Photographie et cinéma chez Henri Focillon: illustrer,sérier, diffuser et enseigner.  Lerenouvellement d’une discipline

COLIN LEMOINE

 

Modernist Ultimate Thule

RHODRI WINDSORLISCOMBE

 

Le corps sans limites ou l’acéphalité; le personnaged’Acéphale, secret et équivoque, dans les oeuvres des artistes autour duCollège de Sociologie

CAMILLE MORANDO    

 

Mirror Reflections: Robert Smithson’s DialecticalConcept of Space

JOHANNES STŰCKELBERGER

 

Livres/Books

 

Indri Kais McEwen, Vitruvius:Writing the Body of Architecture

Reviewed by BARBARA ARCISZEWSKA

 

Louis Kaplan, AmericanExposures; and Martha Langford, ed., Imageand Imagination

Reviewed by MATTHEW BROWER

 

Alice Goldfarb Marquis, Art Czar, The Rise and Fall of Clement Greenberg

Reviewed by KEN CARPENTER

 

Stephen J. Campbell and Stephen J. Milner, eds, Artistic Exchange and Cultural Translationin the Italian Renaissance City

Reviewed by CATHERINE HARDING

 

Kristen Frederickson and Sarah E. Webb, eds,  Singular Women: Writing the Artist

Reviewed by JANICE HELLAND

 

Glenn Peers, SacredShock, Framing Visual Experience in Byzantium

Reviewed by LESLEY JESSOP

 

Virginia Nixon, Mary’sMother: St Anne in Late Medieval Europe

Reviewed by CHRISTINE KRALIK

 

Madeleine Landry et Robert Derome, L’art sacré en Amérique française.  Le trésor de la Côte-de-Beaupré

Reviewed by JEAN TRUDEL

 

RACAR

Revue d’artcanadienne/Canadian Art Review

Vol. XXX 1-2 2005

The Portrait Issue/Laquestion du portrait

Published in July 2006

 

 

Sommaire/Contents

 

Editors’ Introduction/Mot des rédacteurs

 

A New Portrait Gallery for Canada: Stacking orUnpacking a National Narrative

LILLY KOLTUN

 

Sur/Rendering Her Image: The Unknowable Harriet Tubman

CHANTAL N. GIBSON and MONIQUE SILVERMAN

 

Portrait of a Globalized Canadian: Ken Lum’s There Is No Place Like Home

CYNTHIA FOO

 

Catherine de Médicis (1519-1589) et le portrait: esquissed’une collection royale au féminin

CHANTAL TURBIDE

 

L’Intéret et les limites de la recherche sur l’art dela miniature au Canada. La collection de Bibliothèque et Archives Canada

ANNE-ELISABETH VALLÉE

 

(Re)viewing Whistler and Sargent: portraiture at the fin-de-siècle

MEAGHAN CLARKE

 

Miniature objects of Cultural Covenant: Portraits andFirst Nations Sitters in British North America

KRISTINA HUNEAULT

 

Leaders, Legends and Felons: negotiating portraiture,from veneration to vandalism

ANGELA CARR

 

Collaboration spéciale/Keynote Paper

 

What Lies Beyond the Slide Library?  Facing the Digital Future of Art History

SARAH PARSONS

 

Livres/Books

 

Lori Pauli, ManufacturedLandscapes: The Photographs of Edward Burtynsky, with essays by MarkHaworth-Booth and Kenneth Baker and an interview by Michael Torosian

Reviewed by SARAH BASSNETT

 

Sylvia Lavin, FormFollows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture

Reviewed by KEITH BRESNAHAN

 

Heather Dawkins, TheNude in French Art and Culture, 1870-1910

Reviewed by JOHN POTVIN

 

Steven Harris, SurrealistArt and Thought in the 1930s: Art, Politics, and the Psyche; and JohannaMalt, Obscure Objects of Desire:Surrealism, Fetishism, and Politics

Reviewed by LINDA STEER

 

Michael W. Cole, Celliniand the Principles of Sculpture; Margaret A. Gallucci, Benvenuto Cellini, Sexuality, Masculinity and Artistic Identiry inRenaissance Italy;  and AlessandroNova and Anna Schreurs, eds, BenvenutoCellini. Kunst and Kunsttheorie im 16 Jahrhundert

Reviewed by GWENDOLYN TROTTEIN

 

Tanya Mars and Johanna Householder, eds. Caught in the Act: an anthology ofperformance art by Canadian women.

Reviewed by JESSICA WYMAN

 

 

RACAR

Revue d’artcanadienne/Canadian Art Review

Vol. XXIX 1-2 2004

 

Published in August 2005

 

 

Sommaire/Contents

 

Riegl, Hegel, Kunstwollen,and the Weltgeist

ALLISTER NEHER

 

Slippery Talk of Parliament’s Architecture: Canadian,Canadian British, or Anglo-American?

CHRISTOPHER A. THOMAS

 

Exhibiting Ireland: The Donegal Industrial Fund inLondon and Chicago

JANICE HELLAND

 

L’avènement de l’art naïf en Haïti:La Portée instauratrice d’un jugement esthétique

CARLO AVIERL CÉLIUS

 

Le narrateur dans l’image. Analyse comparative d’une photographiede Jeff Wall et d’un texte de Walter Benjamin

MARIE FRASER

 

Note/Note

 

Patronage at the Court of Burgundy around 1500: a Noteon the Death of St. Nicholas Windowin the Royal Ontario Museum

ARIANE ISLER-DE JONGH

 

Livres/Books

 

Andrew Hemingway, Artistson the Left: American Artists and the Communist Movement

Reviewed by Pamela Allara

 

Joan B. Landes, Visualizingthe Nation: Gender, Representation, and the Revolution in Eighteenth-CenturyFrance

Reviewed by Vivian Cameron

 

Rose Marie San Juan, Rome: a City Out of Print

Reviewed by Erin J. Campbell

 

Christopher A. Thomas, The Lincoln Memorial & American Life

Reviewed by Angela Carr

 

Kristina Huneault,  Difficult Subjects: Working Women and VisualCulture, Britain 1880 – 1914

Reviewed by Julie F. Codell

 

Philip Jacks and William Caferro, The Spinelli of Florence: Fortunes of a Renaissance Merchant Family

Reviewed by Cathleen Hoeniger

 

J. Philip McAleer,Rochester Cathedral, 604 – 1540: An Architectural History

Reviewed by Malcolm Thurlby

 

Carol Gibson-Wood, JonathanRichardson: Art Theorist of the English Enlightenment

Reviewed by Catherine Tite

 

Lawrence Gowing,  Vermeer  

Reviewed by Angela Vanhaelen

 

Kathy E. Zimon, AlbertaSociety of Artists, the first Seventy Years

Reviewed by Anne Whitelaw

 

 

RACAR

Revue d’artcanadienne/Canadian Art Review

Vol. XXVII/2001-2003

 

Art History Inside and Outside theUniversity/L’histoire de l’art à l’université et hors de l’université

 

GuestEditor/Sous la direction de Adele Ernstrom, Emerita,   Bishop’s University                         

 

PublishedJune 2004

 

 

 

Sommaire/Contents

 

EditorialIntroduction: Art History Inside and Outside the University

ADELE ERNSTROM

 

GerogeTurnbull and Art History at Scottish Universities in the Eighteenth Century

CAROLGIBSON-WOOD

 

Art, Historyand Discipline in the Eighteenth-Century German University

ANN-MARIE LINK

 

Entering ArtHistory in the Mid-Nineteenth Century: Félicie d’Ayzac, Anna Jameson and theLegacy of Mme de Staël

ADELE ERNSTROM

 

L’Institutionnalisationde l’histoire de l’art en France au XIX siècle

LYNE THERRIEN

 

The Academy,the Market and the Art Museums in the Repositioning of Australian AboriginalArt

DAVID DOLAN

 

Commentaire/Commentary

New ArtHistories: Severing the Incestuous Relation Betweeen the Discipline and theMuseum?

NICOLEDUBREUIL

 

Livres/Books

Ellen EastonMcLeod, In Good Hands: The Women of the Canadian Handicrafts Guild

Reviewed bySandra Alfoldy

 

Dennis Reidand Matthew Teitelbaum, eds., Greg Curnoe: Life and Stuff

Reviewed byKatie Cholette

 

MarthaLangford, Suspended Conversations: The Afterlife of Memory in PhotographicAlbums

Reviewed bySusan Close

 

Michael Fried,Menzel’s Realism: Art and Ebodiment in Nineteenth-Century Berlin

Reviewed byMitchell Frank

 

SergeTrottein, ed., L’estétique naît-elle au XVIIIe siècle?

Reviewed byNicolas Gaudreau

 

Jeffry Abt,  A Museum on the Verge: A Socioeconomic Historyof the Detroit Institute of Arts 1882 – 2000  

Reviewed byReesa Greenberg

 

Philip Sohm  Style in the Art Theory of Early Modern Italy

 Reviewed by Sharon Gregory

 

EckhartMarchand and Alison Wright, eds., With and Without the Medici: Studies inTuscan Art and Patronage 1434 – 1530

 Reviewed by Corinne Mandel

 

JaniceHelland, Professional Women Painters in the Nineteenth-Century Scotland:Commitment, Friendship, Pleasure

 Reviewed by Juliette Peers

 

Robert J.Belton, Signs of Resistance: Approaches to Canadian Visual Culture

Reviewed byRon Shuebrook

 

DominicMarner, St. Cuthbert: His Life and Cult in Medieval Durham

 Reviewed by Malcolm Thurlby

 

 


RACAR .....Vol XXVII, 1-2  2000

 

Published in August 2003 (Publié en aout 2003)

 

 

 

Sommaire / Contents

 

Concerning the Origin of the Virgin of Humility Theme                               

JOSEPH POLZER

 

Le Problème de l’ornement chez Cellini : théorie, iconographieet humanisme                    

GWENDOLYN TROTTEIN

 

“The Man with Three Feet” in Pieter Bruegel theElder’s Peasant Wedding

CLAUDINE MAJZELS

 

Images de Pompéi                    

BRIGITTE DESROCHERS

 

La Gloire du peintre de les errements de l’Academie. Des pistespour l’étude des marines de Claude-Joseph Vernet au Salon

NICOLAS GAUDREAU 

 

White Marble, Black Bodies and the Fear of theInvisible Negro: Signifying Blackness in Mid-Nineteenth-Century NeoclassicalSculpture CHARMAINE NELSON

 

The Commodification of William Morris: Emotive Links in aMass-Produced World

SANDRA ALFOLDY

 

Translating Music into Visual Form: The Influence of Musicin the Work of Bertram Brooker

GLENN WILLIAMS

 

Des Canadiennes exposent au Riverside Museum en 1947.Ambiguïtés de la réception critique

EDITH –ANNE PAGEOT

 

Commentaire / Commentary

 

Hommage à RaymondKlibansky / Tribute to Raymond Klibansky

Carol Doyon

 

RaymondKlibansky and the Warburg Institute

Carol Gibson-Wood

 

Raymond Klibanskyet l’histoire de l’art du XXe siècle

Jean-Philippe Uzel

 

La Notion de Kulturwissenschaft

Raymond Klibansky

                                   

Livres / Books

 

Greg M. Thomas, Art and Ecology inNineteenth-Century France: The Landscapes of Théodore Rousseau - Reviewedby Nicole Dubreuil

 

Barbara Fischer, Foodculture: Tasting Identitiesand Geographies of Art

Reviewed by Martha Langford

 

Deborah Cherry,Beyond the Frame: Feminism andVisual Culture 

Reviewed by Anne-Marie Link

 

Christine Stevenson, Medicine and Magnificence:British Hospital and Asylum Architecture, 1600-1815 Reviewed by SherryMcKay

 

Bernard Smith,Modernism’s History 

Reviewed by Ellen RAMSAY      

 

 

RACAR Vol XXVI, 1-2  1999

 

Published in August 2002/Publié en aout 2002)

 

Postureset impostures de l'artiste moderne/Myths of the Modern Artist: Exposing thePose

 

Sous ladirection de/Guest Editors - Nicole Dubreuil et Johanne Lamoureux, Universitéde Montréal

 

 

Contents/Sommaire

 

L'atelier institué en portrait de l'artiste moderne dansla littérature du XIXe siècle

VERONIQUE RODRIGUEZ

 

Vaporization and/or Centralization: On the (Self)Portraits of Manet and Degas

VICTOR I. STOICHITA

 

Artists and After-Lives

HEATHER DAWKINS

 

Renoir, susceptibilités épidermiques

NICOLE DUBREUIL

 

La mise en lumière des indépendants. Le mythe del'artiste isolé chez les écrivains symbolistes français

FRANÇOIS LUCBERT

 

Paradigme ou modèle: Les héritiers de Van Gogh et lesparadoxes de l'authenticité

NATHALIE HEINICH

 

"T'Other Emily:" Emily Carr, the ModernWoman Artist and Dilemmas of Gender

GERTA MORAY

 

Virtual (Art) History 

DONALD PREZIOSI

 

In memoriam: Through Feminist Eyes: In Memory ofNatalie Luckyj

CYNTHIA HAMMOND

 

LIVRES/BOOKS

 

Nathalie Heinich Ce que l'art fait à la sociologie

Reviewed by Francine Couture

 

Kay Dian Kriz The Idea of the English LandscapePainter: Genius as Alibi in the Early Nineteenth Century - Reviewed byAdele Ernstrom

 

Catherine M. Soussloff, The Absolute Artist: TheHistoriography of a Concept

Reviewed by Allister Neher

 

Kevin D. Murphy Memory and Modernity:Viollet-le-Duc at Vézelay

Reviewed by Christopher Thomas

 

Kalman P. Bland, The Artless Jew: Medieval andModern Affirmations and Denials of the Visual

Reviewed by Carol Zemel



RACAR - Vol XXV, 1-2  1998

 

Published in June 2001/publié en juin 2001

 

Producing Women/Ces femme qui produisent.....

 

GuestEditors/Sous la direction de Janice Helland, Queen's University & CatherineMacKenzie, Concordia University

 

Sommaire/Contents

 

EditorialIntroduction/Mot des rédacteurs

 

Elitekey: TheArtistic Production of Mi’Kmaq Women                               

JOAN ACLAND

 

TroublingPresences: Body, Sound and Space in Installation Art

of the mid -1990s                                                                                 

DEBORAH CHERRY     

 

Daughter inExile: The Painting Space of Christiane Pflug

CHRISTINECONLEY

 

The Industryof Motherhood: Spring Hurlbut’s “L’ascension

and JuliaMargaret Cameron’s Wings                                                      

CYNTHIA IMOGEN HAMMOND

 

Place ReallyDoes Matter: Marion Greenwood’s 1947 “China” Exhibition

CATHERINEMACKENZIE         

 

How ManyArtists Are There in the Family?

The Career ofMontreal Painter Regina Seiden (1897 - 1991)         

BARBARAMEADOWCROFT

 

Madonna/Mother/Death and Child: Laura Muntz and the Representation ofMaternity ELIZABETH MULLEY

 

The Viewer asProducer: British and Canadian Feminists reading Prudence Heward’s “Women”

LYNN PEARCE

 

A Tale ofThree Women: The Visual Arts in Canada/A Current Accounting

JOYCE ZEMANS

 

Livres/Books

 

IngridBachmann and Ruth Scheuing, eds MaterialMatters;The Art and Culture ofContemporary Textiles                 

Reviewed byElaine Cheasley

 

GriseldaPollock, Differencing the Canon:  Feminist Desire and

the Writing of Arts’ Histories      

Reviewed by Shannon Hunter Hurtado

 

Debra Pincus,  TheTombs of the Doges of Venice          

Reviewed by John Osborne

 

KatherynBrush,  The Shaping of Art History. Wilhelm Vöge,Adolph Goldschmidt, and the Study of Medieval Art                                         

Reviewed by Gwendolyn Trottein

 


RACAR Vol XXIV, # 2 / 1997

 

 

Breaking the Boundaries: Intercultural Perspectives inMedieval Art

/Entamer les frontières: perspectives interculturellesdans l'art du Moyen-Age

 

Published in November 2000/publié ennovembre 2000

 

 

Sommaire /Contents

 

Norwegian Stave Churches and their Pagan Antecedents

MICHAEL REED

 

Food for Thought in the Souillac Pillar: DevouringBeasts, Pain and the Subversion of Heroic Codes of Violence

CAROL KNICELY

 

Shields of Faith: Apotropaic Images of the Virgin inAlfonso X's Cantigas de Santa Maria

DEIRDRE JACKSON

 

Mamluks and Venetians: An Intercultural Perspective on14th Century Material Culture in the Mediterranean

CATHERINE HARDING AND NANCY MICKLEWRIGHT

 

Livres/Books

 

Calvin B. Kendall, The Allegory of the Church:Romanesque Portals and their Verse Inscriptions

Reviewed by James Bugslag

 

Elizabeth ten Grotenhuis, Japanese Mandalas:Representation of Sacred Geography

Reviewed by Gail F. Chin

 

Gill Perry, ed., Gender and Art 

Reviewed by Catherine Harding

 

Amelia Jones, Body Art: Performing the Subject

 Reviewedby Jayne Wark



RACAR Vol XXIV, # 1 / 1997

 

Published in December 1999/publié endecembre 1999

 

Sommaire/Contents

 

The Santa Croce Drawings: A Re-examination

GILLIAN MACKIE

 

Images of Authority, Identity, Power: Facade MosaicDecoration in Rome during the Later Middle Ages

CATHERINE HARDING

 

From Woodblock to Textile: Images of Elite Culture inthe Blue-and-White Embroideries of Sichuan

CATHERINE PAGANI

 

Thinking Nation and Hybrid Belongings: The Aestheticsof Negotiation in Recent Media Art

CHRISTINE ROSS

 

Livres/Books

 

Margot Coatts, ed., Pioneers of Modern Craft

Reviewed by Sandra Alfoldy

 

C. Jean Campbell, The Game of Courting and the Artof the Commune of San Gimignano 1290 – 1320

Reviewed by Louise Bourdua

 

Clifford Brown and Guy Delmarcel, Tapestries forthe Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522 – 63

Reviewed by Stephen J. Campbell

 

 

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