March 20 2008
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RACAR –
Revue d'art canadienne / Canadian ArtReview
La revue est publiée par l'Association d'art desuniversités du Canada, avec l'aide du Conseil de la recherche en scienceshumaines du Canada.
Barbara Winters est la rédactrice administrative,
Les articles sont répertoriés dans: ARTbibliographies,RILA, Répertoire d'art et d'archéologie, Canadian Periodical Index.
Click on:
RACAR Orderform.pdf for a Printable Order Form
style_e.html for theRACAR Style Guide in English
style_f.html pour leGuide typographique de RACAR
RACAR is published by the Universities Art Associationof Canada with the assistance of the Social Sciences and Humanities ResearchCouncil of Canada.
The Managing Editor is Barbara Winters,
Articles are listed in: ARTbibliographies, RILA,Répertoire d'art et d'archéologie, Canadian Periodical Index.
RACAR
Revue d’artcanadienne/Canadian Art Review
Published in December2007
A “Lost” Ivory Casket in the Gort Collection at the
JAMES BUGSLAG
Who Was that Masked Man ?
ALAN HUGHES
Art and the Gregorian Reform: Saints Peter and Clementin the
LESLEY JESSOP
Grace Pailthorpe et Reuben Mednikoff à
YVES M. LAROCQUE
Theodulf of Orléans and the Ark of the Covenant:
GILLIAN MACKIE
Jacques Villon and the Tovell Family:
MICHAEL PARKE-TAYLOR
Body Politics and the Art of Norval Morrsseau
CARMEN ROBERTSON
The Wound on Christ’s Back in
ALENA ROBIN
Un Canadianerrant: Charles Smeaton and the earliest photographs of theRoman Catacombs
ANDREA TERRY AND JOHN OSBORNE
Livres/Books
Ihor Holubizky, Walter Klepac and Christopher Cuts,
Reviewed by BRIANGRISON AND BRETT STEVENS
Malcolm Thurlby, RomanesqueArchitecture and Sculpture in
Reviewed by STUART HARRISON
Jayne Wark, RadicalGestures: Feminism and Performance Art in
Reviewed by LAURA LEVIN
Laurier Lacroix, Suzor-Coté,lumièreet matière
Reviewed by DIDIERPRIOUL
RACAR
Revue d’artcanadienne/Canadian Art Review
Papers fromthe 31st International Congress of the Comité internationald’histoire de l’art (CIHA) August 23 – 27 2004 Montréal / Communicationsprésentées au XXXI ième Congrès international du Comité internationald’histoire de l’art (CIHA) à Montréal, du 23 – 27 août 2004
Published in April 2007
Editors’ Introduction/Mot des rédacteurs
Béton et utopie avant 1914: architecture et<<moule social>>
LAURENT BARIDON
Law or
VERA BEYER
Archéologie de l’oeuvre Net art: une esthétique dufragment
JEAN-PAUL FOURMENTRAUX
From Flatness to Space and Back Again: Concepts ofRepresentation in the Work of Gerhard Richter and Sigmar Polke
JULIE GELSHORN
The Virtual Memorial: Temporality, Interactivity andthe Internet
ANNIE GÉRIN
Photographie et cinéma chez Henri Focillon: illustrer,sérier, diffuser et enseigner. Lerenouvellement d’une discipline
COLIN LEMOINE
Modernist Ultimate
RHODRI
Le corps sans limites ou l’acéphalité; le personnaged’Acéphale, secret et équivoque, dans les oeuvres des artistes autour duCollège de Sociologie
CAMILLE MORANDO
Mirror Reflections: Robert Smithson’s DialecticalConcept of Space
JOHANNES STŰCKELBERGER
Livres/Books
Indri Kais McEwen, Vitruvius:Writing the Body of Architecture
Reviewed by BARBARA ARCISZEWSKA
Louis Kaplan, AmericanExposures; and Martha Langford, ed., Imageand Imagination
Reviewed by MATTHEW BROWER
Alice Goldfarb Marquis, Art Czar, The Rise and Fall of Clement Greenberg
Reviewed by KEN CARPENTER
Stephen J. Campbell and Stephen J. Milner, eds,
Reviewed by CATHERINE HARDING
Kristen Frederickson and Sarah E. Webb, eds,
Reviewed by JANICE HELLAND
Glenn Peers, SacredShock, Framing Visual Experience in
Reviewed by LESLEY JESSOP
Virginia Nixon, Mary’sMother: St Anne in Late Medieval
Reviewed by CHRISTINE KRALIK
Madeleine Landry et Robert Derome,
Reviewed by JEAN TRUDEL
RACAR
Revue d’artcanadienne/Canadian Art Review
The Portrait Issue/Laquestion du portrait
Published in July 2006
Editors’ Introduction/Mot des rédacteurs
A New Portrait Gallery for Canada: Stacking orUnpacking a National Narrative
LILLY KOLTUN
Sur/Rendering Her Image: The Unknowable Harriet Tubman
CHANTAL N. GIBSON and MONIQUE SILVERMAN
Portrait of a Globalized Canadian: Ken Lum’s
CYNTHIA FOO
Catherine de Médicis (1519-1589) et le portrait: esquissed’une collection royale au féminin
CHANTAL TURBIDE
L’Intéret et les limites de la recherche sur l’art dela miniature au Canada. La collection de Bibliothèque et Archives
ANNE-ELISABETH VALLÉE
(Re)viewing Whistler and Sargent: portraiture at the
MEAGHAN CLARKE
Miniature objects of Cultural Covenant: Portraits andFirst Nations Sitters in
KRISTINA HUNEAULT
Leaders, Legends and Felons: negotiating portraiture,from veneration to vandalism
ANGELA CARR
Collaboration spéciale/Keynote Paper
What Lies Beyond the Slide Library?
SARAH PARSONS
Livres/Books
Lori Pauli, ManufacturedLandscapes: The Photographs of Edward Burtynsky, with essays by MarkHaworth-Booth and Kenneth Baker and an interview by Michael Torosian
Reviewed by SARAH BASSNETT
Sylvia Lavin, FormFollows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture
Reviewed by KEITH BRESNAHAN
Heather Dawkins, TheNude in French Art and Culture, 1870-1910
Reviewed by JOHN POTVIN
Steven Harris, SurrealistArt and Thought in the 1930s: Art, Politics, and the Psyche; and JohannaMalt, Obscure Objects of Desire:Surrealism, Fetishism, and Politics
Reviewed by LINDA STEER
Michael W. Cole, Celliniand the Principles of Sculpture; Margaret A. Gallucci, Benvenuto Cellini, Sexuality, Masculinity and Artistic Identiry inRenaissance Italy; and AlessandroNova and Anna Schreurs, eds, BenvenutoCellini. Kunst and Kunsttheorie im 16 Jahrhundert
Reviewed by GWENDOLYN TROTTEIN
Tanya Mars and Johanna Householder, eds.
Reviewed by JESSICA WYMAN
RACAR
Revue d’artcanadienne/Canadian Art Review
Published in August 2005
Riegl, Hegel, Kunstwollen,and the Weltgeist
ALLISTER NEHER
Slippery Talk of Parliament’s Architecture: Canadian,Canadian British, or Anglo-American?
CHRISTOPHER A. THOMAS
Exhibiting Ireland: The Donegal Industrial Fund inLondon and
JANICE HELLAND
L’avènement de l’art naïf en Ha
CARLO AVIERL CÉLIUS
Le narrateur dans l’image. Analyse comparative d’une photographiede Jeff Wall et d’un texte de Walter Benjamin
MARIE FRASER
Note/Note
Patronage at the Court of Burgundy around 1500: a Noteon the Death of St. Nicholas Windowin the Royal Ontario Museum
ARIANE ISLER-DE JONGH
Andrew Hemingway, Artistson the Left: American Artists and the Communist Movement
Reviewed by Pamela Allara
Joan B. Landes, Visualizingthe Nation: Gender, Representation, and the Revolution in Eighteenth-CenturyFrance
Reviewed by Vivian Cameron
Rose Marie San Juan, Rome: a City Out of Print
Reviewed by Erin J. Campbell
Christopher A. Thomas, The Lincoln Memorial & American Life
Reviewed by Angela Carr
Kristina Huneault,
Reviewed by Julie F. Codell
Philip Jacks and William Caferro, The Spinelli of Florence: Fortunes of a Renaissance Merchant Family
Reviewed by Cathleen Hoeniger
J. Philip McAleer,Rochester Cathedral, 604 – 1540: An Architectural History
Reviewed by Malcolm Thurlby
Carol Gibson-Wood, JonathanRichardson: Art Theorist of the English Enlightenment
Reviewed by Catherine Tite
Lawrence Gowing,
Reviewed by Angela Vanhaelen
Kathy E. Zimon, AlbertaSociety of Artists, the first Seventy Years
Reviewed by Anne Whitelaw
RACAR
Revue d’artcanadienne/Canadian Art Review
Art History Inside and Outside theUniversity/L’histoire de l’art à l’université et hors de l’université
EditorialIntroduction: Art History Inside and Outside the University
ADELE ERNSTROM
GerogeTurnbull and Art History at Scottish Universities in the Eighteenth Century
CAROLGIBSON-WOOD
Art, Historyand Discipline in the
ANN-MARIE LINK
Entering ArtHistory in the Mid-Nineteenth Century: Félicie d’Ayzac, Anna Jameson and theLegacy of Mme de Staël
ADELE ERNSTROM
L’Institutionnalisationde l’histoire de l’art en France au XIX siècle
LYNE THERRIEN
The Academy,the Market and the Art Museums in the Repositioning of Australian AboriginalArt
DAVID DOLAN
New ArtHistories: Severing the Incestuous Relation Betweeen the Discipline and theMuseum?
NICOLEDUBREUIL
Ellen EastonMcLeod, In Good Hands: The Women of the Canadian Handicrafts Guild
Reviewed bySandra Alfoldy
Dennis Reidand Matthew Teitelbaum, eds., Greg Curnoe: Life and Stuff
Reviewed byKatie Cholette
MarthaLangford, Suspended Conversations: The Afterlife of Memory in PhotographicAlbums
Reviewed bySusan Close
Michael Fried,Menzel’s Realism: Art and Ebodiment in Nineteenth-Century
Reviewed byMitchell Frank
SergeTrottein, ed., L’estétique naît-elle au XVIIIe siècle?
Reviewed byNicolas Gaudreau
Jeffry Abt,
Reviewed byReesa Greenberg
Philip Sohm
EckhartMarchand and Alison Wright, eds., With and Without the Medici: Studies inTuscan Art and Patronage 1434 – 1530
JaniceHelland, Professional Women Painters in the Nineteenth-Century Scotland:Commitment, Friendship, Pleasure
Robert J.Belton, Signs of Resistance: Approaches to Canadian Visual Culture
Reviewed byRon Shuebrook
DominicMarner, St. Cuthbert: His Life and Cult in Medieval Durham
Published in August 2003 (Publié en aout 2003)
Concerning the Origin of the Virgin of Humility Theme
JOSEPH POLZER
Le Problème de l’ornement chez Cellini : théorie, iconographieet humanisme
GWENDOLYN TROTTEIN
“The Man with Three Feet” in Pieter Bruegel theElder’s Peasant Wedding
CLAUDINE MAJZELS
Images de Pompéi
BRIGITTE DESROCHERS
La Gloire du peintre de les errements de l’Academie. Des pistespour l’étude des marines de Claude-Joseph Vernet au Salon
NICOLAS GAUDREAU
White Marble, Black Bodies and the Fear of theInvisible Negro: Signifying Blackness in Mid-Nineteenth-Century NeoclassicalSculpture CHARMAINE NELSON
The Commodification of William Morris: Emotive Links in aMass-Produced World
SANDRA ALFOLDY
Translating Music into Visual Form: The Influence of Musicin the Work of Bertram Brooker
GLENN WILLIAMS
Des Canadiennes exposent au Riverside Museum en 1947.Ambiguïtés de la réception critique
EDITH –ANNE PAGEOT
Carol Doyon
Carol Gibson-Wood
Jean-Philippe Uzel
La Notion de Kulturwissenschaft
Raymond Klibansky
Livres / Books
Greg M. Thomas, Art and Ecology inNineteenth-Century France: The Landscapes of Théodore Rousseau - Reviewedby Nicole Dubreuil
Barbara Fischer, Foodculture: Tasting Identitiesand Geographies of Art
Reviewed by Martha Langford
Deborah Cherry,Beyond the Frame: Feminism andVisual Culture
Reviewed by Anne-Marie Link
Christine Stevenson, Medicine and Magnificence:British Hospital and Asylum Architecture, 1600-1815 Reviewed by SherryMcKay
Bernard Smith,Modernism’s History
Reviewed by Ellen RAMSAY
RACAR Vol XXVI, 1-2 1999
Published in August 2002/Publié en aout 2002)
Postureset impostures de l'artiste moderne/Myths of the Modern Artist: Exposing thePose
Sous ladirection de/Guest Editors - Nicole Dubreuil et Johanne Lamoureux, Universitéde Montréal
L'atelier institué en portrait de l'artiste moderne dansla littérature du XIXe siècle
VERONIQUE RODRIGUEZ
Vaporization and/or Centralization: On the (Self)Portraits of Manet and Degas
VICTOR I. STOICHITA
Artists and After-Lives
HEATHER DAWKINS
Renoir, susceptibilités épidermiques
NICOLE DUBREUIL
La mise en lumière des indépendants. Le mythe del'artiste isolé chez les écrivains symbolistes français
FRANÇOIS LUCBERT
Paradigme ou modèle: Les héritiers de Van Gogh et lesparadoxes de l'authenticité
NATHALIE HEINICH
"T'Other Emily:" Emily Carr, the ModernWoman Artist and Dilemmas of Gender
GERTA MORAY
Virtual (Art) History
DONALD PREZIOSI
In memoriam: Through Feminist Eyes: In Memory ofNatalie Luckyj
CYNTHIA HAMMOND
Nathalie Heinich Ce que l'art fait à la sociologie
Reviewed by Francine Couture
Kay Dian Kriz The Idea of the English LandscapePainter: Genius as Alibi in the Early Nineteenth Century - Reviewed byAdele Ernstrom
Catherine M. Soussloff, The Absolute Artist: TheHistoriography of a Concept
Reviewed by Allister Neher
Kevin D. Murphy Memory and Modernity:Viollet-le-Duc at Vézelay
Reviewed by Christopher Thomas
Kalman P. Bland, The Artless Jew: Medieval andModern Affirmations and Denials of the Visual
Reviewed by Carol Zemel
RACAR - Vol XXV, 1-2
Published in June 2001/publié en juin 2001
Producing Women/Ces femme qui produisent.....
GuestEditors/Sous la direction de Janice Helland, Queen's University & CatherineMacKenzie, Concordia University
EditorialIntroduction/Mot des rédacteurs
Elitekey: TheArtistic Production of Mi’Kmaq Women
JOAN ACLAND
TroublingPresences: Body, Sound and Space in Installation Art
of the mid -1990s
DEBORAH CHERRY
Daughter inExile: The Painting Space of Christiane Pflug
CHRISTINECONLEY
The Industryof Motherhood: Spring Hurlbut’s “L’ascension”
and JuliaMargaret Cameron’s Wings
CYNTHIA IMOGEN HAMMOND
Place ReallyDoes Matter: Marion Greenwood’s 1947 “China” Exhibition
CATHERINEMACKENZIE
How ManyArtists Are There in the Family?
The Career ofMontreal Painter Regina Seiden (1897 - 1991)
BARBARAMEADOWCROFT
The Viewer asProducer: British and Canadian Feminists reading Prudence Heward’s “Women”
LYNN PEARCE
A Tale ofThree Women: The Visual Arts in Canada/A Current Accounting
JOYCE ZEMANS
IngridBachmann and Ruth Scheuing, eds MaterialMatters;The Art and Culture ofContemporary Textiles
Reviewed byElaine Cheasley
GriseldaPollock, Differencing the Canon:
Reviewed by Shannon Hunter Hurtado
Debra Pincus,
Reviewed by John Osborne
KatherynBrush,
Reviewed by Gwendolyn Trottein
RACAR Vol XXIV, # 2 / 1997
Breaking the Boundaries: Intercultural Perspectives inMedieval Art
/Entamer les frontières: perspectives interculturellesdans l'art du Moyen-Age
Norwegian Stave Churches and their Pagan Antecedents
MICHAEL REED
Food for Thought in the Souillac Pillar: DevouringBeasts, Pain and the Subversion of Heroic Codes of Violence
CAROL KNICELY
Shields of Faith: Apotropaic Images of the Virgin inAlfonso X's Cantigas de Santa Maria
DEIRDRE
Mamluks and Venetians: An Intercultural Perspective on14th Century Material Culture in the
CATHERINE HARDING AND NANCY MICKLEWRIGHT
Calvin B. Kendall, The Allegory of the Church:Romanesque Portals and their Verse Inscriptions
Reviewed by James Bugslag
Elizabeth ten Grotenhuis, Japanese Mandalas:Representation of Sacred Geography
Reviewed by Gail F. Chin
Gill Perry, ed., Gender and Art
Reviewed by
Amelia Jones, Body Art: Performing the Subject
RACAR Vol XXIV, # 1 / 1997
The Santa Croce Drawings: A Re-examination
GILLIAN MACKIE
Images of Authority, Identity, Power: Facade MosaicDecoration in Rome during the Later Middle Ages
CATHERINE HARDING
From Woodblock to Textile: Images of Elite Culture inthe Blue-and-White Embroideries of
CATHERINE PAGANI
Thinking Nation and Hybrid Belongings: The Aestheticsof Negotiation in Recent Media Art
CHRISTINE ROSS
Margot Coatts, ed., Pioneers of Modern Craft
Reviewed by Sandra Alfoldy
C. Jean Campbell, The Game of Courting and the Artof the Commune of San Gimignano 1290 – 1320
Reviewed by Louise Bourdua
Clifford Brown and Guy Delmarcel, Tapestries forthe Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522 – 63
Reviewed by Stephen J. Campbell
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