About UAAC ..\about\about.html Concernant l’AAUC
RACAR –
Revue d'art canadienne / Canadian Art
Review
La revue est publiée par l'Association d'art des
universités du Canada, avec l'aide du Conseil de la recherche en sciences
humaines du Canada.
Barbara Winters est maintenant la rédactrice
administrative,mailto:bwinters@finearts.uvic.ca L’adresse de Mlle Winters est: Department of
History in Art,
Les articles sont répertoriés dans: ARTbibliographies,
RILA, Répertoire d'art et d'archéologie, Canadian Periodical Index.
Click on:
RACAR Order
form.pdf for a Printable Order Form
style_e.html for the
RACAR Style Guide in English
style_f.html pour le
Guide typographique de RACAR
RACAR is published by the Universities Art Association
of Canada with the assistance of the Social Sciences and Humanities Research
Council of Canada.
The Managing Editor is Barbara Winters,mailto:bwinters@finearts.uvic.ca Dept. of History in Art,
Articles are listed in: ARTbibliographies, RILA,
Répertoire d'art et d'archéologie, Canadian Periodical Index.
RACAR
Revue d’art
canadienne/Canadian Art Review
Papers from the
31st International Congress of the Comité international d’histoire
de l’art (CIHA) August 23 – 27 2004 Montréal / Communications présentées au
XXXI ième Congrès international du Comité international d’histoire de l’art
(CIHA) à Montréal, du 23 – 27 août 2004
Published in April 2007
Editors’ Introduction/Mot des rédacteurs
Béton et utopie avant 1914: architecture et
<<moule social>>
LAURENT BARIDON
Law or
VERA BEYER
Archéologie de l’oeuvre Net art: une esthétique du
fragment
JEAN-PAUL FOURMENTRAUX
From Flatness to Space and Back Again: Concepts of
Representation in the Work of Gerhard Richter and Sigmar Polke
JULIE GELSHORN
The Virtual Memorial: Temporality, Interactivity and
the Internet
ANNIE GÉRIN
Photographie et cinéma chez Henri Focillon: illustrer,
sérier, diffuser et enseigner. Le
renouvellement d’une discipline
COLIN LEMOINE
Modernist Ultimate
RHODRI
Le corps sans limites ou l’acéphalité; le personnage
d’Acéphale, secret et équivoque, dans les oeuvres des artistes autour du
Collège de Sociologie
CAMILLE MORANDO
Mirror Reflections: Robert Smithson’s Dialectical
Concept of Space
JOHANNES STŰCKELBERGER
Livres/Books
Indri Kais McEwen, Vitruvius:
Writing the Body of Architecture
Reviewed by BARBARA ARCISZEWSKA
Louis Kaplan, American
Exposures; and Martha Langford, ed., Image
and Imagination
Reviewed by MATTHEW BROWER
Alice Goldfarb Marquis, Art Czar, The Rise and Fall of Clement Greenberg
Reviewed by KEN CARPENTER
Stephen J. Campbell and Stephen J. Milner, eds, Artistic Exchange and Cultural Translation
in the
Reviewed by CATHERINE HARDING
Kristen Frederickson and Sarah E. Webb, eds, Singular Women: Writing the Artist
Reviewed by JANICE HELLAND
Glenn Peers, Sacred
Shock, Framing Visual Experience in
Reviewed by LESLEY JESSOP
Virginia Nixon, Mary’s
Mother: St Anne in Late Medieval
Reviewed by CHRISTINE KRALIK
Madeleine Landry et Robert Derome, L’art sacré en Amérique française. Le trésor de la Côte-de-Beaupré
Reviewed by JEAN TRUDEL
RACAR
Revue d’art
canadienne/Canadian Art Review
The Portrait
Issue/La question du portrait
Published in July 2006
Editors’ Introduction/Mot des rédacteurs
A New Portrait Gallery for Canada: Stacking or
Unpacking a National Narrative
LILLY KOLTUN
Sur/Rendering Her Image: The Unknowable Harriet Tubman
CHANTAL N. GIBSON and MONIQUE SILVERMAN
Portrait of a Globalized Canadian: Ken Lum’s There Is No Place Like Home
CYNTHIA FOO
Catherine de Médicis (1519-1589) et le portrait:
esquisse d’une collection royale au féminin
CHANTAL TURBIDE
L’Intéret et les limites de la recherche sur l’art de
la miniature au Canada. La collection de Bibliothèque et Archives
ANNE-ELISABETH VALLÉE
(Re)viewing Whistler and Sargent: portraiture at the fin-de-siècle
MEAGHAN CLARKE
Miniature objects of Cultural Covenant: Portraits and
First Nations Sitters in
KRISTINA HUNEAULT
Leaders, Legends and Felons: negotiating portraiture,
from veneration to vandalism
ANGELA CARR
Collaboration spéciale/Keynote Paper
What Lies Beyond the Slide Library? Facing the Digital Future of Art History
SARAH PARSONS
Livres/Books
Lori Pauli, Manufactured
Landscapes: The Photographs of Edward Burtynsky, with essays by Mark
Haworth-Booth and Kenneth Baker and an interview by Michael Torosian
Reviewed by SARAH BASSNETT
Sylvia Lavin, Form
Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture
Reviewed by KEITH BRESNAHAN
Heather Dawkins, The
Nude in French Art and Culture, 1870-1910
Reviewed by JOHN POTVIN
Steven Harris, Surrealist
Art and Thought in the 1930s: Art, Politics, and the Psyche; and Johanna
Malt, Obscure Objects of Desire:
Surrealism, Fetishism, and Politics
Reviewed by LINDA STEER
Michael W. Cole, Cellini
and the Principles of Sculpture; Margaret A. Gallucci, Benvenuto Cellini, Sexuality, Masculinity and Artistic Identiry in
Renaissance Italy; and Alessandro
Nova and Anna Schreurs, eds, Benvenuto
Cellini. Kunst and Kunsttheorie im 16 Jahrhundert
Reviewed by GWENDOLYN TROTTEIN
Tanya Mars and Johanna Householder, eds. Caught in the Act: an anthology of
performance art by Canadian women.
Reviewed by JESSICA WYMAN
RACAR
Revue d’art
canadienne/Canadian Art Review
Published in August 2005
Riegl, Hegel, Kunstwollen,
and the Weltgeist
ALLISTER NEHER
Slippery Talk of Parliament’s Architecture: Canadian,
Canadian British, or Anglo-American?
CHRISTOPHER A. THOMAS
Exhibiting Ireland: The Donegal Industrial Fund in
London and
JANICE HELLAND
L’avènement de l’art naïf en Haïti:
La Portée instauratrice d’un jugement esthétique
CARLO AVIERL CÉLIUS
Le narrateur dans l’image. Analyse comparative d’une
photographie de Jeff Wall et d’un texte de Walter Benjamin
MARIE FRASER
Note/Note
Patronage at the Court of Burgundy around 1500: a Note
on the Death of St. Nicholas Window
in the Royal Ontario Museum
ARIANE ISLER-DE JONGH
Andrew Hemingway, Artists
on the Left: American Artists and the Communist Movement
Reviewed by Pamela Allara
Joan B. Landes, Visualizing
the Nation: Gender, Representation, and the Revolution in Eighteenth-Century
France
Reviewed by Vivian Cameron
Rose Marie San Juan, Rome: a City Out of Print
Reviewed by Erin J. Campbell
Christopher A. Thomas, The Lincoln Memorial & American Life
Reviewed by Angela Carr
Kristina Huneault, Difficult Subjects: Working Women and Visual
Culture, Britain 1880 – 1914
Reviewed by Julie F. Codell
Philip Jacks and William Caferro, The Spinelli of Florence: Fortunes of a Renaissance Merchant Family
Reviewed by Cathleen Hoeniger
J. Philip McAleer,
Rochester Cathedral, 604 – 1540: An Architectural History
Reviewed by Malcolm Thurlby
Carol Gibson-Wood, Jonathan
Richardson: Art Theorist of the English Enlightenment
Reviewed by Catherine Tite
Lawrence Gowing, Vermeer
Reviewed by Angela Vanhaelen
Kathy E. Zimon, Alberta
Society of Artists, the first Seventy Years
Reviewed by Anne Whitelaw
RACAR
Revue d’art
canadienne/Canadian Art Review
Art History Inside and Outside the
University/L’histoire de l’art à l’université et hors de l’université
Published in June 2004
Editorial Introduction:
Art History Inside and Outside the University
ADELE ERNSTROM
Geroge
Turnbull and Art History at Scottish Universities in the Eighteenth Century
CAROL
GIBSON-WOOD
Art, History
and Discipline in the
ANN-MARIE LINK
Entering Art
History in the Mid-Nineteenth Century: Félicie d’Ayzac, Anna Jameson and the
Legacy of Mme de Staël
ADELE ERNSTROM
L’Institutionnalisation
de l’histoire de l’art en France au XIX siècle
LYNE THERRIEN
The Academy,
the Market and the Art Museums in the Repositioning of Australian Aboriginal
Art
DAVID DOLAN
New Art
Histories: Severing the Incestuous Relation Betweeen the Discipline and the
Museum?
NICOLE
DUBREUIL
Ellen Easton
McLeod, In Good Hands: The Women of the Canadian Handicrafts Guild
Reviewed by
Sandra Alfoldy
Dennis Reid
and Matthew Teitelbaum, eds., Greg Curnoe: Life and Stuff
Reviewed by
Katie Cholette
Martha
Langford, Suspended Conversations: The Afterlife of Memory in Photographic
Albums
Reviewed by
Susan Close
Michael Fried,
Menzel’s Realism: Art and Ebodiment in Nineteenth-Century
Reviewed by
Mitchell Frank
Serge
Trottein, ed., L’estétique naît-elle au XVIIIe siècle?
Reviewed by
Nicolas Gaudreau
Jeffry Abt, A Museum on the Verge: A Socioeconomic History
of the Detroit Institute of Arts 1882 – 2000
Reviewed by
Reesa Greenberg
Philip Sohm Style in the Art Theory of Early Modern Italy
Reviewed by Sharon Gregory
Eckhart
Marchand and Alison Wright, eds., With and Without the Medici: Studies in
Tuscan Art and Patronage 1434 – 1530
Reviewed by Corinne Mandel
Janice
Helland, Professional Women Painters in the Nineteenth-Century Scotland:
Commitment, Friendship, Pleasure
Reviewed by Juliette Peers
Robert J.
Belton, Signs of Resistance: Approaches to Canadian Visual Culture
Reviewed by
Ron Shuebrook
Dominic
Marner, St. Cuthbert: His Life and Cult in Medieval Durham
Reviewed by Malcolm Thurlby
Published in August 2003 (Publié en aout 2003)
Concerning the Origin of the Virgin of Humility Theme
JOSEPH POLZER
Le Problème de l’ornement chez Cellini : théorie,
iconographie et humanisme
GWENDOLYN TROTTEIN
“The Man with Three Feet” in Pieter Bruegel the
Elder’s Peasant Wedding
CLAUDINE MAJZELS
Images de Pompéi
BRIGITTE DESROCHERS
La Gloire du peintre de les errements de l’Academie. Des
pistes pour l’étude des marines de Claude-Joseph Vernet au Salon
NICOLAS GAUDREAU
White Marble, Black Bodies and the Fear of the
Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical
Sculpture CHARMAINE NELSON
The Commodification of William Morris: Emotive Links in a
Mass-Produced World
SANDRA ALFOLDY
Translating Music into Visual Form: The Influence of Music
in the Work of Bertram Brooker
GLENN WILLIAMS
Des Canadiennes exposent au Riverside Museum en 1947.
Ambiguïtés de la réception critique
EDITH –ANNE PAGEOT
Carol Doyon
Carol Gibson-Wood
Jean-Philippe Uzel
La Notion de Kulturwissenschaft
Raymond Klibansky
Livres / Books
Greg M. Thomas, Art and Ecology in
Nineteenth-Century France: The Landscapes of Théodore Rousseau - Reviewed
by Nicole Dubreuil
Barbara Fischer, Foodculture: Tasting Identities
and Geographies of Art
Reviewed by Martha Langford
Deborah Cherry,Beyond the Frame: Feminism and
Visual Culture
Reviewed by Anne-Marie Link
Christine Stevenson, Medicine and Magnificence:
British Hospital and Asylum Architecture, 1600-1815 Reviewed by Sherry
McKay
Bernard Smith,Modernism’s History
Reviewed by Ellen RAMSAY
RACAR
Vol XXVI, 1-2 1999
Published in August 2002/Publié en aout 2002)
Postures
et impostures de l'artiste moderne/Myths of the Modern Artist: Exposing the
Pose
Sous la direction
de/Guest Editors - Nicole Dubreuil et Johanne Lamoureux, Université de Montréal
L'atelier institué en portrait de l'artiste moderne
dans la littérature du XIXe siècle
VERONIQUE RODRIGUEZ
Vaporization and/or Centralization: On the (Self)
Portraits of Manet and Degas
VICTOR I. STOICHITA
Artists and After-Lives
HEATHER DAWKINS
Renoir, susceptibilités épidermiques
NICOLE DUBREUIL
La mise en lumière des indépendants. Le mythe de
l'artiste isolé chez les écrivains symbolistes français
FRANÇOIS LUCBERT
Paradigme ou modèle: Les héritiers de Van Gogh et les
paradoxes de l'authenticité
NATHALIE HEINICH
"T'Other Emily:" Emily Carr, the Modern
Woman Artist and Dilemmas of Gender
GERTA MORAY
Virtual (Art) History
DONALD PREZIOSI
In memoriam: Through Feminist Eyes: In Memory of
Natalie Luckyj
CYNTHIA HAMMOND
Nathalie Heinich Ce que l'art fait à la sociologie
Reviewed by Francine Couture
Kay Dian Kriz The Idea of the English Landscape
Painter: Genius as Alibi in the Early Nineteenth Century - Reviewed by
Adele Ernstrom
Catherine M. Soussloff, The Absolute Artist: The
Historiography of a Concept
Reviewed by Allister Neher
Kevin D. Murphy Memory and Modernity:
Viollet-le-Duc at Vézelay
Reviewed by Christopher Thomas
Kalman P. Bland, The Artless Jew: Medieval and
Modern Affirmations and Denials of the Visual
Reviewed by Carol Zemel
RACAR - Vol XXV, 1-2 1998
Published in June 2001/publié en juin 2001
Producing Women/Ces femme qui produisent.....
Guest
Editors/Sous la direction de Janice Helland, Queen's University & Catherine
MacKenzie, Concordia University
Editorial
Introduction/Mot des rédacteurs
Elitekey: The
Artistic Production of Mi’Kmaq Women
JOAN ACLAND
Troubling
Presences: Body, Sound and Space in Installation Art
of the mid -
1990s
DEBORAH CHERRY
Daughter in
Exile: The Painting Space of Christiane Pflug
CHRISTINE
CONLEY
The Industry
of Motherhood: Spring Hurlbut’s “L’ascension”
and Julia
Margaret Cameron’s Wings
CYNTHIA IMOGEN HAMMOND
Place Really
Does Matter: Marion Greenwood’s 1947 “China” Exhibition
CATHERINE
MACKENZIE
How Many
Artists Are There in the Family?
The Career of
Montreal Painter Regina Seiden (1897 - 1991)
BARBARA
MEADOWCROFT
Madonna/Mother/Death and Child: Laura Muntz and the Representation of
Maternity ELIZABETH MULLEY
The Viewer as
Producer: British and Canadian Feminists reading Prudence Heward’s “Women”
LYNN PEARCE
A Tale of
Three Women: The Visual Arts in Canada/A Current Accounting
JOYCE ZEMANS
Ingrid
Bachmann and Ruth Scheuing, eds Material
Matters;The Art and Culture of
Contemporary Textiles
Reviewed by Elaine
Cheasley
Griselda
Pollock, Differencing the Canon: Feminist Desire and
the Writing of Arts’ Histories
Reviewed by Shannon Hunter Hurtado
Debra Pincus, The
Tombs of the Doges of Venice
Reviewed by John Osborne
Katheryn
Brush, The Shaping of Art History. Wilhelm Vöge,
Adolph Goldschmidt, and the Study of Medieval Art
Reviewed by Gwendolyn Trottein
RACAR Vol XXIV, # 2 / 1997
Breaking the Boundaries: Intercultural Perspectives in
Medieval Art
/Entamer les frontières: perspectives interculturelles
dans l'art du Moyen-Age
Norwegian Stave Churches and their Pagan Antecedents
MICHAEL REED
Food for Thought in the Souillac Pillar: Devouring
Beasts, Pain and the Subversion of Heroic Codes of Violence
CAROL KNICELY
Shields of Faith: Apotropaic Images of the Virgin in
Alfonso X's Cantigas de Santa Maria
DEIRDRE
Mamluks and Venetians: An Intercultural Perspective on
14th Century Material Culture in the
CATHERINE HARDING AND NANCY MICKLEWRIGHT
Calvin B. Kendall, The Allegory of the Church:
Romanesque Portals and their Verse Inscriptions
Reviewed by James Bugslag
Elizabeth ten Grotenhuis, Japanese Mandalas:
Representation of Sacred Geography
Reviewed by Gail F. Chin
Gill Perry, ed., Gender and Art
Reviewed by
Amelia Jones, Body Art: Performing the Subject
Reviewed
by Jayne Wark
RACAR Vol XXIV, # 1 / 1997
The Santa Croce Drawings: A Re-examination
GILLIAN MACKIE
Images of Authority, Identity, Power: Facade Mosaic
Decoration in Rome during the Later Middle Ages
CATHERINE HARDING
From Woodblock to Textile: Images of Elite Culture in
the Blue-and-White Embroideries of
CATHERINE PAGANI
Thinking Nation and Hybrid Belongings: The Aesthetics
of Negotiation in Recent Media Art
CHRISTINE ROSS
Margot Coatts, ed., Pioneers of Modern Craft
Reviewed by Sandra Alfoldy
C. Jean Campbell, The Game of Courting and the Art
of the Commune of San Gimignano 1290 – 1320
Reviewed by Louise Bourdua
Clifford Brown and Guy Delmarcel, Tapestries for
the Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522 – 63
Reviewed by Stephen J. Campbell
Concernant l’AAUC / About UAAC ..\about\about.html