RACAR Vol XXVII, 1-2 2000

Published in August 2003 (Publié en aout 2003)     Sommaire / Contents   Concerning the Origin of the Virgin of Humility Theme                                JOSEPH POLZER   Le Problème de l’ornement chez Cellini : théorie, iconographie et humanisme                     GWENDOLYN TROTTEIN   “The Man with Three Feet” in Pieter Bruegel the Elder’s Peasant Wedding CLAUDINE MAJZELS   Images de Pompéi                     BRIGITTE DESROCHERS   La Gloire du peintre de les errements de l’Academie. Des pistes pour l’étude des marines de Claude-Joseph Vernet au Salon NICOLAS GAUDREAU    White Marble, Black Bodies and the Fear of the Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical Sculpture CHARMAINE NELSON   The Commodification of William Morris: Emotive Links in a Mass-Produced World SANDRA ALFOLDY   Translating Music into Visual Form: The Influence of Music in the Work of Bertram Brooker GLENN WILLIAMS   Des Canadiennes exposent au Riverside Museum en 1947. Ambiguïtés de la réception critique EDITH –ANNE PAGEOT   Commentaire / Commentary   Hommage à Raymond Klibansky / Tribute to Raymond Klibansky Carol Doyon   Raymond Klibansky and the Warburg Institute Carol Gibson-Wood   Raymond Klibansky et l’histoire de l’art du XXe siècle Jean-Philippe Uzel   La Notion de Kulturwissenschaft Raymond Klibansky                                     Livres / Books   Greg M. Thomas, Art and Ecology in Nineteenth-Century France: The Landscapes of Théodore Rousseau - Reviewed by Nicole Dubreuil   Barbara Fischer, Foodculture: Tasting Identities and Geographies of Art Reviewed by Martha Langford   Deborah Cherry,Beyond the Frame: Feminism and Visual Culture  Reviewed by Anne-Marie Link   Christine Stevenson, Medicine and Magnificence: British Hospital and Asylum Architecture, 1600-1815 Reviewed by Sherry McKay   Bernard Smith,Modernism’s History  Reviewed by Ellen RAMSAY