RACAR Vol XXV, 1-2 1998

Published in June 2001/publié en juin 2001   Producing Women/Ces femme qui produisent.....   Guest Editors/Sous la direction de Janice Helland, Queen's University & Catherine MacKenzie, Concordia University   Sommaire/Contents   Editorial Introduction/Mot des rédacteurs   Elitekey: The Artistic Production of Mi’Kmaq Women                                JOAN ACLAND   Troubling Presences: Body, Sound and Space in Installation Art of the mid - 1990s                                                                                  DEBORAH CHERRY        Daughter in Exile: The Painting Space of Christiane Pflug CHRISTINE CONLEY   The Industry of Motherhood: Spring Hurlbut’s “L’ascension” and Julia Margaret Cameron’s Wings                                                       CYNTHIA IMOGEN HAMMOND   Place Really Does Matter: Marion Greenwood’s 1947 “China” Exhibition CATHERINE MACKENZIE            How Many Artists Are There in the Family? The Career of Montreal Painter Regina Seiden (1897 - 1991)          BARBARA MEADOWCROFT   Madonna/Mother/Death and Child: Laura Muntz and the Representation of Maternity ELIZABETH MULLEY   The Viewer as Producer: British and Canadian Feminists reading Prudence Heward’s “Women” LYNN PEARCE   A Tale of Three Women: The Visual Arts in Canada/A Current Accounting JOYCE ZEMANS   Livres/Books   Ingrid Bachmann and Ruth Scheuing, eds Material Matters;The Art and Culture of Contemporary Textiles                  Reviewed by Elaine Cheasley   Griselda Pollock, Differencing the Canon:  Feminist Desire and the Writing of Arts’ Histories       Reviewed by Shannon Hunter Hurtado   Debra Pincus,  The Tombs of the Doges of Venice           Reviewed by John Osborne   Katheryn Brush,  The Shaping of Art History. Wilhelm Vöge, Adolph Goldschmidt, and the Study of Medieval Art                                          Reviewed by Gwendolyn Trottein